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GRIEG Lyric Pieces (complete) • Nicholas Roth (pn) • BLUE GRIFFIN 145 (3 CDs: 173:11)
Prior to the Grieg sesquicentennial in 1993, there were scant
recordings of his solo piano music. Lyric Pieces is his lifelong
musical diary, with op. 12 to op. 71 spanning 30 years. A handful of
the more popular pieces have popped up on recital concerts over the
years, notably those of Artur Rubinstein and Emil Gilels. There are
also many historic recordings of individual Lyric Pieces, including
delectable ones from Percy Grainger and Walter Gieseking. Of course the
music is consistently wonderful, and complete sets, which run for three
full CDs, are highly recommended to lovers of the Romantic solo piano
repertoire.
Grieg’s solo piano music, like that of Chopin, is alluringly shaped and
falls easily under the hands, and so it is adored by concert pianists
(and amateurs), resulting in an embarrassment of excellent choices.
Roth’s competition in the complete set comes from Steen-Nøkleberg on
Naxos and Oppitz on RCA. Both of those versions are excellent, and so
is this new one. Oppitz offers the most stylish, even sumptuous take,
and is also the priciest, but it could be argued that a more
straightforward approach is more appropriate for this often-folksy
music. In side to side comparisons, one or the other pianist may gain
an advantage, but I could live with any of these, and if price is the
deciding factor, Naxos wins (Blue Griffin is usually midpriced, $13.99
on ArkivMusic.com).
This is my first encounter with the playing of Nicholas Roth, and I
enjoyed it immensely. The superb Blue Griffin recording captures his
fine dynamic control and graceful, delicate handling of Grieg’s
filigree. This young American yields nothing in the way of idiomatic
style to his European colleagues, and his devotion and love for this
trove of musical riches is apparent at every turn. The production does
feel a bit bare-boned; to call the program notes sparse would be
generous. Peter Burwasser
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