Here's a program of miscellaneous cello music with a concept that works! All of the pieces have dance associations, yet there is such variety of treatment by the composers that nothing seems predictable yet everything seems enthusiastic.
The program begins and ends with a Spanish flavor. In the middle we move gradually over to Eastern Europe by way of a curious tango written by the pianist. Maybe it's the influence of his name, but this work, with its curious dissonances and rough rhythms, seems to blend the idioms, preparing us for a sojourn with Brahms, Chopin, and Bartok. And if you've had enough footwork for the nonce, Chopin's Polonaise begins with a long lyrical introduction, just to get you acclimatized. They play the original version of the Chopin, by the way, not the modern arrangement with the cello trying to outdo the piano in virtuosity.
Altogether, this is satisfying programming combined with fine playing, clean technique combined with warmth of feeling. 
D  MOORE
American Record Guide May/June 2007

Dances

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